Posted: 28th March 2018 By: Tara Jones
Posted: 28th March 2018 By: Tara Jones
With the unusually high levels of rain and snow we have been experiencing this winter, water is cascading through nearly 5 storeys of this grand old building, and parts of its’ structure are deteriorating rapidly.
The new building works and renovations will stop all this erosion and preserve the structure long past our own lifetimes.
Posted: 27th March 2018 By: Tara Jones
It’s amazing to think that in the space of a month or two we have gone from a sleeping giant to a hive on activity across the Bodmin Jail site.
Watch out for more updates as the snow melts and temperatures rise!
Posted: 20th March 2018 By: Tara Jones
Fittingly, for an old building steeped in history, Bodmin Jail is much loved by bats.
Of the 17 resident bat species in Britain, Bodmin Jail is home to seven of these (Common Pipistrelle, Brown Long-eared, Lesser Horseshoe, Greater Horseshoe, Whiskered, Daubenton’s and Natterer’s).
An additional four species (Nathusius’ Pipistrelle, Soprano Pipistrelle, Barbastelle and Noctule) have been recorded foraging within the immediate environs of the jail, meaning that two thirds of Britain’s bat species occur here!
The jail is particularly important for its colony of Greater Horseshoe and Lesser Horseshoe bats, including a maternity roost of the latter species. Horseshoe bats are among the rarest of Britain’s bat species, being restricted to south-west England and Wales, and estimated to have declined by 90% during the twentieth century. All of Britain’s bat species are protected by law as a result of their historic declines and threats to their habitats.
The best way to see bats at Bodmin Jail is to keep an eye out just after sunset, when they may be seen foraging around the car park or emerging from buildings; they are also sometimes seen during night walks flying along the corridors of the jail.
If you are lucky enough to encounter a bat during your time at Bodmin Jail don’t be afraid as it won’t harm you and bats don’t get caught in people’s hair as folklore would have us believe. Bats are not blind and their navigational systems allow them to fly fast with pinpoint accuracy, to rival the skills of any RAF pilot. There are no vampire bats in Britain and all our native species feed upon insects – a single pipistrelle bat can eat more than 3000 insects in one night
Bodmin Jail has invested heavily in the construction of an additional bat abode to help secure the future of this colony – a bespoke building, designed with the bat’s welfare in mind; to be an attractive, comfortable, and safe environment in which these fascinating little creatures can thrive.
Further information about bats can be found on the Bat Conservation Trust’s website.
Posted: 14th March 2018 By: Tara Jones
The on-going development of the Jail site has enabled us to add more features to enhance our visitor experience – this month we have introduced:
– every Wednesday night from 8.30pm to the witching hour… take a guided walk through Bodmin Town to view key points & buildings, and hear all about their historical & paranormal links with the Jail, finishing with a Paranormal Tour of the Jail.
– learn about the history of the jail and our plans for the future…
– we now have friendly free-roaming guides within the jail; pass the time of day in the knowledgeable company of Jess & Kirsten and learn more about the jail, its history & future, and its nefarious past residents. We also have personal Guided Tours available to book in advance.
– discover more about the science of paranormal.
Posted: 6th March 2018 By: Tara Jones
As rays of sunlight pierce the broken glass of the cell windows and cast
their warming light deep into the derelict cells, you can’t help but think of
the men that did time in those four cells ripped apart by the demolition
blast of 1930.
One can’t help but also admire the work of the builders who,
some 160 years ago so skillfully built the formidable Civil Wing here at
Robert Goodyear & Sons of Adelaide Street, East Stonehouse in Plymouth,
certainly were master craftsman, and the responsibility of preserving their
work now falls upon another generation of skilled craftsman and stonemasons
to ensure the buildings are here to admire in another 160 years.
Work is underway and scheduled for completion in 2019 – keep watching for
Posted: 5th March 2018 By: Tara Jones
Time to take some ‘time-out’ for yourself & enjoy a catch-up with friends!
Join us for delicious home cooked food in our Governors restaurant, and take advantage of our latest great menu deals.
Valid from 1st March 2018
Booking is recommended – just give us a call on 01208 7692, or email firstname.lastname@example.org
Posted: 23rd February 2018 By: Tara Jones
Posted: 2nd January 2018 By: Tara Jones
The tragic tale of Selina Wadge has been depicted in this original artwork – Jess has spent many hours snuggled under the heat-lamp in the old key-room down in the Jail; sculpting with care, her vision of Selina’s story and subsequent crime she committed.
“I drowned the child.
I put it in the water.
Lord deliver me from this miserable world.”
The idea is to make the viewer think about Selina’s crime and her guilt; the frogs are from the well, the spawn and bird skulls represent children. The moths are symbols of the spirit.
The wording is the actual words Selina spoke, and she holds in her hand her handkerchief, as recorded at her execution…
“Each cutting starts off with a story. I usually select a phrase or an image to work with first, from this the rest of the cutting develops. The size of the cutting is really dependant on the space I have to work on – sometimes that comes down to putting tables together to give the most surface area.
I then draw a grid on the paper and sketch the words onto the grid; this helps me with letter size and spacing. Once the wording is in place, I draw in some of the larger elements, in the case of Selena Wadge, this was the mice, frogs and cobwebs. From here, I then draw in the connecting elements, foliage, frog spawn, smaller insects. It is this process that takes the most time.
Every part of the picture has to touch, mess that up and the whole thing will fall apart. To further complicate matters, the image is drawn in reverse so you have a clean image after the cutting when you turn the paper over. Writing letters backwards is never easy!
Once the outline is drawn, I start cutting. There is no real technique for this, I tend to start with the letters and outline and then work into middle. You can never be really certain how the image will work until the piece is finished.
Each picture is designed to tell the original story through image and wording, but they are also created to be visually intricate with hidden details and symbols. At the end of the day, they are about tales, and my intention is for each one to speak to the viewer in whatever way they want to see it and hopefully carry the story on.”
Posted: 7th December 2017 By: Tara Jones
Our Commercial Manager, Chris, donned his brave pants and a hard hat this week to join the survey team in a tiny, wire enclosed ‘basket’ suspended 120ft above the ground: a perfect platform from which to see the extent of the mammoth task that is ahead of us in renovating this lovely heritage site to secure it’s future.
You can see in some of the images the extent of the damage to stonework by years of vegetation penetrating the nooks and crannies. Large areas of collapsed masonry and eroded stacks are gradually being uncovered. Crumbled debris lies strewn where once hob-nailed boots stomped and chains clanged, as inmates and warders went about their daily routines…
Posted: 15th November 2017 By: Tara Jones